Author: David Brackett
Publisher: Oxford University Press, USA
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Size: 20.57 MB
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The Pop, Rock, and Soul Reader is a collection of readings that traces the evolution of American popular music from the 1920s to the present. Pulling together articles, excerpts, and critical commentary from scholarly journals, popular magazines, newspapers, and biographies, this volumeintroduces students to important social and cultural issues raised by the study of popular music. Chapter introductions and headnotes supply contextual background for the documents, provide links among different eras and genres, explain the issues raised by the documents, and clarify the culturaland historical importance of the selections.
Language: en
Pages: 606
Pages: 606
The Pop, Rock, and Soul Reader is a collection of readings that traces the evolution of American popular music from the 1920s to the present. Pulling together articles, excerpts, and critical commentary from scholarly journals, popular magazines, newspapers, and biographies, this volumeintroduces students to important social and cultural issues raised
Language: en
Pages: 609
Pages: 609
Includes 150 photos, as well as three "special articles" and bibliography.
Language: en
Pages: 336
Pages: 336
At a time when American political and cultural leaders asserted that the nation stood at “the center of world awareness,” thinkers and artists sought to understand and secure principles that lay at the center of things. From the onset of the Cold War in 1948 through 1963, they asked: What
Language: en
Pages: 304
Pages: 304
Over the past two centuries Western culture has largely valorized a particular kind of “good” music—highly serious, wondrously deep, stylistically authentic, heroically created, and strikingly original—and, at the same time, has marginalized music that does not live up to those ideals. In Good Music, John J. Sheinbaum explores these traditional
Language: en
Pages: 360
Pages: 360
The Rock History Readeris a collection of primary source material that brings to life the often contentious issues, arguments, conflicts and creative tensions that have defined rock's momentous rise and spread. The readings range from the vivid autobiographical accounts of such rock icons as Chuck Berry, Ronnie Spector, and David
Language: en
Pages: 384
Pages: 384
The drum kit has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. Kick It, a provocative social history of the instrument, looks closely at key innovators in the development of the drum kit: inventors and manufacturers like the Ludwig
Language: en
Pages: 376
Pages: 376
Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others. Presenting a series of case studies ranging from race music and
Language: en
Pages: 294
Pages: 294
Examines the divergent paths rock music took between 1974 and 1980, discussing arena rock, West coast soft rock, ambient music, punk, and new wave, and provides a chronology, an A-Z guide to the period, and lists of top-selling recordings, important albums, and further resources, including print works, Web sites, films,
Language: en
Pages: 1804
Pages: 1804
Benny Goodman, Dizzy Gillespie, Jim Morrison, Kurt Cobain...these are the people who helped shape the history of music. Their stories and others are told in Musicians and Composers of the 20th Century. This five volume set offers biographical and critical essays on over 600 musicians in just about every genre
Language: en
Pages: 537
Pages: 537
The most complete, colorful, and authoritative package of its kind, American Popular Music: From Minstrelsy to MP3, Third Edition, examines popular music in the United States from its beginnings into the 21st century. Highlighting the contributions of diverse groups, Larry Starr and Christopher Waterman trace the development of jazz, blues,