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Contemporary Chinese Art Primary Documents

Contemporary Chinese Art
Author:
Publisher: The Museum of Modern Art
ISBN: 0870706470
Size: 53.96 MB
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Contemporary Chinese Art: Primary Documents
Language: en
Pages:
Authors:
Categories:
Type: BOOK - Published: - Publisher: The Museum of Modern Art
Books about Contemporary Chinese Art: Primary Documents
Contemporary Chinese Art
Language: un
Pages: 318
Authors: Paul Gladston
Categories: Art
Type: BOOK - Published: 2014-09-15 - Publisher: Reaktion Books
Paul Gladston provides a critical mapping of ideas and practices that have shaped the development of contemporary Chinese art; not only those relating to the specialist concerns of artists, curators and critics, but in addition the wider cultural, economic, and political conditions of present-day artistic production and reception. He shows how combinations of ideas and practices bind contemporary Chinese artas a consequence of artistic complicity and/or resistanceto structures of power and state not just within but also outside the Peoples' Republic of China. While the principal focus is on art produced by artists from mainland China, and includes painting, film, video, photography, and performance, it also discusses contemporary art made by artists from Taiwan and Hong Kong-Macau as well others belonging to diasporic Chinese communities. Unraveling the complexities of politics, artistic practice, and Chinese culture,Contemporary Chinese Art is an essential companion for readers interested in contemporary art or Chinese culture, history, or politics.
Deconstructing Contemporary Chinese Art
Language: un
Pages: 195
Authors: Paul Gladston
Categories: Art
Type: BOOK - Published: 2015-08-21 - Publisher: Springer
The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a “polylogic” (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display.
Contemporary Chinese Art
Language: en
Pages: 456
Authors: Wu Hung
Categories: Art
Type: BOOK - Published: 2014-09-01 - Publisher:
The first and only comprehensive survey of contemporary Chinese art, one of the most vital and expanding sectors of the global art world today
Subversive Strategies in Contemporary Chinese Art
Language: un
Pages: 417
Authors: Mary Wiseman, Liu Yuedi, Yuedi Liu
Categories: Philosophy
Type: BOOK - Published: 2011-03-21 - Publisher: BRILL
How contemporary Chinese art is creating “a philosophy of life, a philosophy of politics, and a natural philosophy,” as artist Qiu Zhijie says it must, is explored in this collection of essays by philosophers and art historians from America and China.
The Future History of Contemporary Chinese Art
Language: en
Pages: 264
Authors: Peggy Wang
Categories: Philosophy
Type: BOOK - Published: 2020-12-29 - Publisher:
A revelatory reclaiming of five iconic Chinese artists and their place in art history During the 1980s and 1990s, a group of Chinese artists (Zhang Xiaogang, Wang Guangyi, Sui Jianguo, Zhang Peili, and Lin Tianmiao) ascended to new heights of international renown. Even as their fame increased, they came to be circumscribed by simplistic Western interpretations of their artworks as social and political critiques, a perspective that privileged stories of dissidence over deep engagement with the art itself. Through in-depth case studies of these five artists, Peggy Wang offers a corrective to previous appraisals, demonstrating how their works address fundamental questions about the forms, meanings, and possibilities of art. By the end of the 1980s, Chinese artists were scrutinizing earlier waves of Western influence and turning instead to their own heritage and culture to forge their own future histories. As the national trauma of the 1989 Tiananmen Square massacre converged with the mounting expansion of the global art world, these artists turned to art as a profoundly generative site for grappling with their place in the world. Wang demonstrates how they consciously and energetically sought to make their own ideas about art and art history visible in contemporary art. Wang's
Urbanization and Contemporary Chinese Art
Language: en
Pages: 264
Authors: Meiqin Wang
Categories: Art
Type: BOOK - Published: 2015-08-11 - Publisher: Routledge
This book explores the relationship between the ongoing urbanization in China and the production of contemporary Chinese art since the beginning of the twenty-first century. Wang provides a detailed analysis of artworks and methodologies of art-making from eight contemporary artists who employ a wide range of mediums, including painting, sculpture, photography, installation, video, and performance. She also sheds light on the relationship between these artists and their sociocultural origins, investigating their provocative responses to various processes and problems brought about by Chinese urbanization. With this urbanization comes a fundamental shift of the philosophical and aesthetic foundations in the practice of Chinese art: from a strong affiliation with nature and countryside to one that is complexly associated with the city and the urban world.
Xu Bing and Contemporary Chinese Art
Language: en
Pages: 261
Authors: Hsingyuan Tsao
Categories: Art
Type: BOOK - Published: 2011-09-01 - Publisher: SUNY Press
Explores how Xu Bing and other contemporary Chinese artists use Western ideas within a Chinese cultural discourse.
Modern Chinese Artists
Language: en
Pages: 249
Authors: Michael Sullivan
Categories: Art
Type: BOOK - Published: 2006-04-03 - Publisher: Univ of California Press
An important reference source for scholars and students of modern Chinese art, collectors, museums and libraries, dealers and auction houses. It includes biographical entries for approximately 800 Chinese artists who grew up or were trained in China and who are likely to be represented in collections, exhibitions, and auctions within and outside China.
Dissidence
Language: en
Pages: 216
Authors: Marie LeDuc
Categories: Art
Type: BOOK - Published: 2018-11-20 - Publisher: MIT Press
How the valorization of artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West. Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work—a demand that mirrors the valorization of free expression in liberal democracies. Focusing on nine Chinese artists—Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun—who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their